When you visit a museum with religious art.
We recently piled into Sean's van and headed south of the border. Cold mexican brews, margs and tacos were devoured at an alarming rate. Peep the film shots that were captured from our trip to Baja.
Photos by: Matt Borgia, Teague Muir, Mirko Antich
This Friday evening (12/2) our dude Jose Araujo is having a special book release shindig with Diablos Book Club at Courthouse Skateshop in Santa Monica. They'll be selling just 10 special edition box sets at $100 a pop.
Each box set includes GoodTimes Vol.1, a tattoo appointment w/ Jose, 1 special edition tee, custom special edition dice, select patches, 1 limit edition print & some stickers. The tattoos will be from select flash, sign in starts at 5pm. Cold PBR's via @pbr_art. Gonna be a rad night!
AND THE WINNER IS...
Final week for FAMILIAR DIFFEREENCES : A Group Exhibition curated by Innocnts focusing on contemporary portraiture by young LA based photographers. Featuring work by Dane Peterson, Emily Knecht, Keegan Gibbs, Stacy Kranitz, Valerie J. Bower, and Will Adler. Exhibition runs until September 4th at These Days 118 Winston St, 2nd Floor, Los Angeles, CA
DANE PETERSON
EMILY KNECHT
KEEGAN GIBBS
STACY KRANITZ
VALERIE J. BOWER
WILL ADLER
FAMILIAR DIFFERENCES
A Portrait Photography Exhibition
Curated by Innocnts
Opening Reception: August 19th, 2016 7-10PM
Exhibition Dates: August 18th – August 28th, 2016
THESE DAYS presents FAMILIAR DIFFERENCES : A Group Photography Exhibition curated by Innocnts focusing on contemporary portraiture by young LA based photographers. Featuring works by DANE PETERSON, EMILY KNECHT, KEEGAN GIBBS, STACY KRANITZ, VALERIE J. BOWER, and WILL ADLER.
“Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.” – Irving Penn
FAMILIAR DIFFERENCES is a mixed grouping of young photographers whose work often entails the use portraiture as a means of depicting the world around them. Often, as active participants within the cultures they document, this grouping of young photographers is imbued with a sense of access and candidness that is unique and endearing to the work. Using various unmediated approaches, this forthright survey of early career photographers explores aspects of portraiture through formal and informal depictions of human experience.
